**All shows 21+—valid ID required**
Doors: 7:00 PM
Show: 7:30 PM
Inspired by the burgeoning American thrash metal revival of the mid-2000s, Denver, Colorado’s Havok emerged in 2004 with an aggressive, neck-snapping style that evoked Bay Area thrash legends like Exodus, Metallica, and Testament. They broke into the Billboard 200 in 2013 with their acclaimed third full-length effort, Unnatural Selection, and continued to refine their uncompromising sound on future endeavors like Conformicide (2017) and V (2020). Havok assembled in 2004 and proceeded to ply their retro-fitted classic thrash trade via a series of self- financed releases: a 2005 demo, a 2006 single, and a 2007 EP, curiously named Pwn All. These efforts duly got them signed to Candlelight Records, which released Havok’s debut album, Burn, in 2009 and then sent them off to tour with bands like Exodus, Anthrax, Destruction, Primal Fear, and Hammerfall. All of this roadwork only tightened up the group's impressive chops, and prepared members David Sanchez (lead vocals, rhythm guitar), Reece Scruggs (lead guitar), Jessie de los Santos (bass, backing vocals), and Pete Webber (drums) for the recording of their sophomore album, Time Is Up (produced by thrash stalwart James Murphy: Death, Obituary, Disincarnate, Testament, etc.), which was released in early 2011. Michael Leon replaced de los Santos on bass for 2013’s Unnatural Selection, which earned positive reviews and saw Havok make their Billboard debut. The band toured steadily during the rest of the year, and they switched labels from Candlelight to Century Media.
A punitive thrash metal project influenced by hardcore punk, west coast hard rock, and proto-death metal bands of the late 90’s such as Discharge, Hellhammer, and Venom, Toxic Holocaust is largely a one- man operation run by Oregon native Joel Grind. Emerging in the lates, the project eventually expanded into a live entity, and by 2020 the group had issued six well-received full-length albums and multiple EPs. Grind founded the band in 1999 in the city of Portland. Writing and recording all of the group’s music himself, he issued a pair of demos (1999’s Radiation Sickness and 2002’s Critical Mass) before unleashing the project’s first full-length effort, Evil Never Dies, in 2003.
Brandishing a unique blend of furious thrash and death metal like a weapon of mass destruc8on, I AM is purely no – nonsense in their patented “Texas Death” assault. Armed with riffs, speed, and overwhelming power, “I AM writes songs that make you want to mo ve” (Decibel Magazine). Across three full – length slabs of bludgeoning intensity and snarling rage, I AM put a Southern stamp and revitalized swagger into deathcore, a subgenre rarely as raw, energized, and diverse as this band. In the spirit of fellow Sout hern icons Pantera and newer Texan heroes Power Trip, I AM channels discontent and anger into empowering anthems, as likely to inspire a grueling workout as to incite the pit.
Abe quit baseball, Eli quit his after-school job, and Henry dropped out of college. The three Ismert brothers who make up Hammerhedd have a natural gift and a greater calling. Perhaps the definition of les enfants terribles, these metal-minded midwesterners from Kansas City are mostly too young to get served at the venues they slay, but you wouldn’t know it to hear their music. Drawing comparisons to contemporaries like Gojira, Meshuggah, and Mastodon, Hammerhedd blend heavy genres into a perfect sludge of driving rhythms, brutal distortion, and just a tinge of melodic mischief.